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Fitzgerald, F. Scott (Francis Scott), 1896-1940

"Tales of the Jazz Age"

Somehow people gave way before her; somehow
she managed to-retain her grasp on her son and husband; somehow she
managed to emerge two blocks up, battered and dishevelled, into an
open space, and, without slowing up her pace, darted down a
side-street. Then at last, when uproar had died away into a dim and
distant clamor, did she come to a walk and set little Arthur upon his
feet.
"And on Sunday, too! Hasn't she disgraced herself enough?" This was
her only comment. She said it to Arthur, as she seemed to address her
remarks to Arthur throughout the remainder of the day. For some
curious and esoteric reason she had never once looked at her husband
during the entire retreat.

IV
The years between thirty-five and sixty-five revolve before the
passive mind as one unexplained, confusing merry-go-round. True, they
are a merry-go-round of ill-gaited and wind-broken horses, painted
first in pastel colors, then in dull grays and browns, but perplexing
and intolerably dizzy the thing is, as never were the merry-go-rounds
of childhood or adolescence; as never, surely, were the
certain-coursed, dynamic roller-coasters of youth. For most men and
women these thirty years are taken up with a gradual withdrawal from
life, a retreat first from a front with many shelters, those myriad
amusements and curiosities of youth, to a line with less, when we peel
down our ambitions to one ambition, our recreations to one recreation,
our friends to a few to whom we are anaesthetic; ending up at last in
a solitary, desolate strong point that is not strong, where the shells
now whistle abominably, now are but half-heard as, by turns frightened
and tired, we sit waiting for death.


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