She was thus surrounded by dangerous relations and intimate
enemies.
Every one knows that French literature at that particular period was
endeavoring to defend itself against an apathetic indifference (the
result of the political drama) by producing works more or less
Byronian, in which the only topics really discussed were conjugal
delinquencies. Infringements of the marriage tie formed the staple of
reviews, books, and dramas. This eternal subject grew more and more
the fashion. The lover, that nightmare of husbands, was everywhere,
except perhaps in homes, where, in point of fact, under the bourgeois
regime, he was less seen than formerly. It is not when every one
rushes to their window and cries "Thief!" and lights the streets, that
robbers abound. It is true that during those years so fruitful of
turmoil--urban, political, and moral--a few matrimonial catastrophes
took place; but these were exceptional, and less observed than they
would have been under the Restoration. Nevertheless, women talked a
great deal together about books and the stage, then the two chief
forms of poesy. The lover thus became one of their leading topics,--a
being rare in point of act and much desired. The few affairs which
were known gave rise to discussions, and these discussions were, as
usually happens, carried on by immaculate women.
A fact worthy of remark is the aversion shown to such conversations by
women who are enjoying some illicit happiness; they maintain before
the eyes of the world a reserved, prudish, and even timid countenance;
they seem to ask silence on the subject, or some condonation of their
pleasure from society.
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