The stage was practically dependent on its
noble patrons. Without them a "benefit," which every notable member of a
theatrical company looked forward to as making good the insufficiency of
their salaries, would be nothing without the support of the nobility,
who, when in the mood, would readily unloose their purse strings. Rich
therefore made but feeble resistance and the impetuous Kitty had her
way.
The band, small as it was, just half-a-dozen instruments, could not be
called together at a moment's notice. Rich accordingly invited his
visitor to come the following day, when all would be in readiness. He
was as good as his word, and the duchess was graciously pleased to
express her satisfaction. Polly and Lucy went back to their lodgings in
high spirits.
January 29th was fixed for the production of the opera, and the days
sped rapidly. Everybody concerned was on tenterhooks. Who could say how
the audience would take a play the like of which they had never seen?
There was also danger in the political allusions contained in many of
the verses. Sir Robert Walpole, England's most powerful minister of
state, had taken a box and would be present with a party of his friends.
What would _he_ think? A riot was not beyond the bounds of possibility.
The play might be suppressed. A prosecution for seditious proceedings
might follow. Anything might happen.
Meanwhile the house was packed.
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