"Ah, madam," I said, "wait until you hear me lecture about
Hawthorne...."
For (and now I am freely giving the whole game away) the secret of the art
of lecturing is merely this:--on your way to the rostrum you contrive to
fling yourself into complete sympathy with the man you are to talk about,
so that, when you come to speak, you will give utterance to _his_ message,
in terms that are suggestive of _his_ style. You must guard yourself from
ever attempting to talk about anybody whom you have not (at some time or
other) loved; and, at the moment, you should, for sheer affection, abandon
your own personality in favor of his, so that you may become, as nearly as
possible, the person whom it is your business to represent. Naturally, if
you have any ear at all, your sentences will tend to fall into the rhythm
of his style; and if you have any temperament (whatever that may be) your
imagined mood will diffuse an ineluctable aroma of the author's
personality.
This at least, is my own theory of lecturing; and, in the instance of my
talk on Hawthorne, I seem to have carried it out successfully in practice.
I must have attained a tone of sombre gray, and seemed for the moment a
meditative Puritan under a shadowy and steepled hat; for, at the close of
the lecture, a silvery-haired and sweet-faced woman asked me if I wouldn't
be so kind as to lead the devotional service in the Baptist House that
evening.
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