Outside,
an old English design of a signboard with a wheel on it creaked
despairingly in the wind. Below was a legend: "_At the Sign of the
Wheel_--_The Wrightery_." The interior of the cellar was decorated with
scenes from the novels of Harvey Wheelwright, triumphant virtue,
discomfited villains, benignant blessings, chaste embraces, edifying
death-beds, and orange-blossoms. They were unsigned; but well I knew
whose was the shame. Over the fireplace hung a framed letter from the
Great Soul. It began, "Dear Young Friend and Admirer," and ended, "Yours
for the Light. Harvey Wheelwright."
The guests did as well as could be expected. They ate and drank
everything in sight. They then left; that is to say, four of them did.
Finally Phil departed, glowering at me. I am a patient soul. No sooner
had the door slammed behind him than I turned to Barbran, who was
looking discouraged.
"Well, what have you to say in your defense?"
The way Barbran's eyebrows went up constituted in itself a defense fit
to move any jury to acquittal.
"For what?" she asked.
"For corrupting my young friend Stacey. You made him paint those
pictures."
"They're very nice," returned Barbran demurely. "Quite true to the
subject."
"They're awful. They're an offense to civilization. They're an insult to
Our Square. Of all subjects in the world, Harvey Wheelwright! Why,
Barbran? Why? Why? Why?"
"Business," said Barbran.
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