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Arnold, Matthew, 1822-1888

"Selections from the Prose Works of Matthew Arnold"


The representation of such a man's feelings must be interesting, if
consistently drawn. We all naturally take pleasure, says Aristotle,[4]
in any imitation or representation whatever: this is the basis of our
love of poetry: and we take pleasure in them, he adds, because all
knowledge is naturally agreeable to us; not to the philosopher only, but
to mankind at large. Every representation therefore which is
consistently drawn may be supposed to be interesting, inasmuch as it
gratifies this natural interest in knowledge of all kinds. What is _not_
interesting, is that which does not add to our knowledge of any kind;
that which is vaguely conceived and loosely drawn; a representation
which is general, indeterminate, and faint, instead of being particular,
precise, and firm.
Any accurate representation may therefore be expected to be interesting;
but, if the representation be a poetical one, more than this is
demanded. It is demanded, not only that it shall interest, but also that
it shall inspirit and rejoice the reader: that it shall convey a charm,
and infuse delight.


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