By the very nature of things, as England is not all the world,
much of the best that is known and thought in the world cannot be of
English growth, must be foreign; by the nature of things, again, it is
just this that we are least likely to know, while English thought is
streaming in upon us from all sides, and takes excellent care that we
shall not be ignorant of its existence. The English critic of
literature, therefore, must dwell much on foreign thought, and with
particular heed on any part of it, which, while significant and fruitful
in itself, is for any reason specially likely to escape him. Again,
judging is often spoken of as the critic's one business, and so in some
sense it is; but the judgment which almost insensibly forms itself in a
fair and clear mind, along with fresh knowledge, is the valuable one;
and thus knowledge, and ever fresh knowledge, must be the critic's great
concern for himself. And it is by communicating fresh knowledge, and
letting his own judgment pass along with it,--but insensibly, and in the
second place, not the first, as a sort of companion and clue, not as an
abstract lawgiver,--that the critic will generally do most good to his
readers.
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