In its general design he finds the grandiose conception, in its
details he finds the constant union of simplicity with greatness, which
are the marks, he truly says, of the genuine epic, and distinguish it
from the artificial epic of literary ages. One thinks of Homer; this is
the sort of praise which is given to Homer, and justly given. Higher
praise there cannot well be, and it is the praise due to epic poetry of
the highest order only, and to no other. Let us try, then, the _Chanson
de Roland_ at its best. Roland, mortally wounded, lays himself down
under a pine-tree, with his face turned towards Spain and the enemy--
"De plusurs choses a remembrer li prist,
De tantes teres cume li bers cunquist,
De dulce France, des humes de sun lign,
De Carlemagne sun seignor ki l'nurrit."[75]
That is primitive work, I repeat, with an undeniable poetic quality of
its own. It deserves such praise, and such praise is sufficient for it.
But now turn to Homer--
[Greek:
Os phato tous d aedae katecheu phusizoos aia
en Lakedaimoni authi, philm en patridi gaim][76]
We are here in another world, another order of poetry altogether; here
is rightly due such supreme praise as that which M.
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